MARIA DUARTE reviews Desperate Journey, Blue Moon, Pillion, and Wake Up Dead Man: A Knives Out Mystery
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Fred Frith, Lotte Anker and Samuel Duhsler, Cafe Oto London
Weird and wonderful sounds from improvisatory trio
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
RUTH AYLETT reviews two collections of outright political poetry
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
FORMER Henry Cow guitarist Fred Frith presents an unusual musical spectacle. He plays guitar flat on his lap, either patting and rubbing its strings with what looks like a clothes brush and an empty tuna tin or with a bow or a towel laid along its length.
He’s accompanied by Lotte Anker from Copenhagen, who plays caustic notes on a rasping soprano saxophone, and drummer Samuel Duhsler. He creates tinny sounds on his cymbals or what resembles the griddle of a barbecue and drums a long chain that he has dropped onto his snares.
The sounds seethe in front of Heike Liss’s fluid, improvised visuals of daybreak, dissolving mists and snowstorms at sea.
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