Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Herself
MARIA DUARTE recommends a shocking and turbulent film about a mother’s struggle to escape her abusive husband and build a new home for her family
Herself
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Herself (15)
Directed by Phyllida Lloyd
A SINGLE mother of two embarks on a gruelling journey to escape her abusive partner and protect her daughters as she takes on the bureaucracy of the broken housing system in this uplifting yet heartbreaking drama, penned by actor turned writer Clare Dunne.
Set in Dublin, the film opens with a young woman (Dunne) dancing and singing with her two little girls (an impressive Ruby Rose O’Hara and Molly McCann) to Sia’s rousing Chandelier before swiftly turning into a brutal horror show as their father arrives and viciously beats their mother and smashes her hand. This scene continually haunts Sandra (Dunne) and her youngest daughter Molly (McCann), who secretly witnessed it.
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