Skip to main content
Donate to the 95 years appeal
Everything Everywhere All At Once
MARIA DUARTE is awestruck by a psychedelic sci-fi adventure about a Chinese-American immigrant trying to keep body and soul together as she goes about saving the world

Everything Everywhere All At Once (15)
Directed by Daniel Kwan and Daniel Scheinert

 

IT ISN’T the easiest of titles to remember, but you won’t forget this psychedelic, mind-blowingly bonkers sci-fi adventure with hidden social and philosophical depths. An exhausted middle-aged Chinese-American immigrant battles a family drama, tries to keep her laundrette business afloat along with her marriage and tackles generational divides while being propelled through multidimensional universes (Marvel, watch and learn) in order to save the world. Or it’s just about a woman trying to do her taxes while being hounded by an officious jobs-worth of an IRS agent (played brilliantly by Jamie Lee Curtis).

It’s all of those things and so much more, but equally difficult to quantify and categorise — one of the most ingenious, innovative and surprising films in a very long time; it is also funny and terribly moving while proving an endless visual assault on the senses, tricky to keep up with at times.

Written and directed by Daniel Kwan and Daniel Scheinert — known as “the Daniels” apparently — it stars the tour de force that is Michelle Yeoh as the long-suffering Evelyn Wang, the reluctant saviour who travels through past lives (including one where she has long sausage fingers) she might have led in order to obtain the skill set (including killer martial arts techniques) to save everyone from an evil force which has taken over her lesbian daughter Joy (Stephanie Hsu).

At the same time about to be served divorce papers by her husband (Ke Huy Quan from Indiana Jones and the Temple of Doom), she reflects on the rich and successful worry-free life she could have led if she hadn’t married at a young age.

Yeoh is truly amazing in a role, which shows off all her extraordinary acting abilities, both comic and dramatic, with kick-ass kung fu moves to boot. She is a class act as this immigrant woman facing a mid-life crisis (or not) as she desperately tries to juggle numerous balls and keep her head above water while getting no help from her family.

Exquisitely acted, this is an insane, multilayered film which will keep you guessing until the very end but, which needs to be seen on the big screen, possibly more than once.

In cinemas May 13

 

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
fotw
Film of the week / 5 June 2025
5 June 2025

MARIA DUARTE recommends an exposure of the state violence used against pro-Palestine protests in the US

round up
Cinema / 29 May 2025
29 May 2025

The Star's critic MARIA DUARTE reviews Along Came Love, The Ballad of Wallis Island, The Ritual, and Karate Kid: Legends

fotw
Film of the Week / 29 May 2025
29 May 2025

MARIA DUARTE recommends the powerful dramatisation of the true story of a husband and wife made homeless

IMPECCABLE: Benicio Del Toro as  Zsa-zsa Korda and Mia Threapleton as his daughter Liesl in The Phoenician Scheme
Film of the week / 22 May 2025
22 May 2025

MARIA DUARTE is in two minds about a peculiar latest offering from Wes Anderson

Similar stories
COMPELLING: Radhika Apte in Sister Midnight
Cinema / 13 March 2025
13 March 2025
The Star's critic MARIA DUARTE reviews Last Breath, Sister Midnight, Opus, and The Electric State 
(L) Barry Keoghan and Christopher Abbot in Bring Them Down;
Cinema / 7 February 2025
7 February 2025
The Star's critic MARIA DUARTE reviews September 5, The Fire Inside, Bring Them Down, and Love Hurts
AI AI AI WHATS GOING ON HERE? Sophie Thatcher in Companion
Cinema / 30 January 2025
30 January 2025
The Star's critic MARIA DUARTE reviews Companion, Saturday Night, The Tasting, and The Colours Within
(L) Juliette Gariepy in Red Rooms; (R) Morfydd Clark in Star
Cinema / 5 September 2024
5 September 2024
Yorkshire chills, tangled in the dark web, pregnancy diaries and brackish juice: MARIA DUARTE reviews Starve Acre, Red Rooms, My First Film and Beetlejuice