RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Exuberant anti-fascist musical
LYNNE WALSH applauds an exceptional piece of theatre that pits the BUF against the heroes of Cable Street
cable st
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Cable Street, a new musical
Southwark Playhouse
THIS retelling of an iconic story manages to be exuberant and inspirational, while delivering a chilling reminder of the easy rise of the far right.
The Battle of Cable Street defined an era; as Franco, Mussolini and Hitler savaged democracy, Britain’s own tin-pot dictator, Oswald Mosley, targeted the East End. Some 5,000 zealots from the British Union of Fascists (BUF), with a buffer zone of 6,000 police, would be confronted by 300,000 anti-fascists.
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