GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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The Electric Muse Revisited
Engrossing account of an era when the crossover between folk and rock began
Electric Muse pic: Roy Harper
[Man Alive/Creative Commons] 
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
THE ORIGINAL Electric Muse was written by Karl Dallas (Melody Maker), Dave Laing (Let It Rock), Robert Shelton (New York Times) and Robin Denselow (The Guardian) and published in 1975.
It traced British folk music from its mid-1960s revival up till the mid-1970s. Sadly, only Denselow is alive to see its significantly updated publication accompanied by a wonderful 4-CD box set.
Its early chapters compare the 1960s British folk boom with the US, where folk music consisted of Woody Guthrie, Lead Belly, Hank Williams, Pete Seeger, Johnny Cash, Phil Ochs, Bob Dylan and The Byrds — not forgetting the 1920s and ‘30s musicians who recorded hillbilly, blues and gospel, music that Rolling Stone columnist Greil Marcus called “old weird America.”
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