WILL STONE applauds the anniversary tour of Pills 'n' Thrills and Bellyaches by Madchester icons, Shaun and Bez
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Disappearing up its own black hole
MARIA DUARTE sees an initially intriguing space drama disintegrate into cliche
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
A murderous convention of crime writers, a hymn to nursing, a monster hunt, and robber baron capitalism
MARY CONWAY is disappointed by a three-hander that broaches big themes, but doesn’t transcend dry academia
DAN GLAZEBROOK eavesdrops on the bourgeois intelligentsia and the stories it tells itself at this moment of crisis
JAN WOOLF is bowled over by a major retrospective for the YBA artist
High Life (18)
Directed by Claire Denis
A FATHER and his baby daughter battle to survive in complete isolation in this twisted space saga, which promises more than it delivers.
As the flashbacks slowly but surely unfold, you learn how Monte (Robert Pattinson) and the baby (an adorable Scarlett Lindsey) come to be on board a now empty spacecraft. He was a member of a crew of death-row inmates led by Dr Dibs (Juliette Binoche), who have agreed to go on a one-way trip to a black hole in exchange for their lives.
Evoking Stanley Kubrick's 2001: A Space Odyssey and Tarkovsky’s Solaris, Claire Denis’s space drama is more space porn as the characters are violently attacked by their crew mates and defiled by the good doctor, all in the name of science and creation. Dr Dibs relieves her sexual tension in a special “play room” worthy of Fifty Shades of Grey, which makes disturbing viewing.
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