Climate activist and writer JANE ROGERS introduces her new collection, Fire-ready, and examines the connection between life and fiction
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On a Dark Night With Enough Wind by Lilla Pennant
Evocative accounts of life on the edge in rural Wales
ELEANOR DOBSON reflects on a stark visual record of the violent desecration of Tutankhamun’s mummified remains
RUTH AYLETT appreciates the rich blend of poetry and music that accompanied the launch of the Morning Star’s anthology of poetry, Who We Are
WANJA KIMANI explores the many bonds of community experience expressed in in the bold and colourful imagery of a new mural
New releases from Keeley, Lucinda Williams and Ye Vagabonds
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
LILLA PENNANT’S real-life stories from the remote north Wales villages of Tremeirchion and Sodom — drawn from conversations she had with old residents back in the 1970s and ‘80s — have about them the faint whiff of witchcraft and paganism, allied to a nicely crafted atmosphere of rain and wind on the hillsides and moors thereabouts.
What they don’t have, though, is a great deal of substance. Despite vague allusions to long-held secrets that Pennant might be able to uncover, nothing much is ever revealed, at least in terms of old-time magic or druidic practices.
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