EWAN CAMERON witnesses a political farce that lacks a clear message
Copper Lady: Life in the Met and Lords
Plodding plod account of rising through the police ranks
Jenny Hilton
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
BILLED as the book that reveals the corruption, racism and heavy drinking rife in the Metropolitan Police, Copper Lady is a ponderous potted history of Jenny Hilton, potentially a pioneering police officer, that could have been so much more.
There has been fundamental change during her tenure at the Met, although it takes seven chapters before we even get to her joining the force.
Her journey starts in the 1950s, when women made up just 1 per cent of the service and were left to deal with prostitutes, teenagers and neglected children and ends with her elevation to the peerage in the 1990s, when she spoke out against the Iraq war.
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