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Unforgettable duet: Charli XCX (right) with Christine and the Queens
MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
POP princess Charli XCX delivers stupendously catchy tunes for the “woke” generation.
Her Halloween set, which did not have any references to the Brexit delay, had an angels and demons theme with many an adoring fan donning the fancy dress of either-or.
WILL STONE foresees the refashioning of Beckett’s study of bitter nostalgia given the plethora of self-recording we make in the digital age
