CHRIS SEARLE welcomes a new book that makes working class history come alive in a true story of human flesh and aspiration
Breadth and barnstormers at Celtic Connections
CONRAD LANDIN sees the annual musical festival get off to a strong start
Charismatic: Delgres
GORDON PARSONS is intrigued by a contemporary update of a problem play that raises more questions than it answers
New releases from Alice Di Micele, Tim Grimm, and Tereza Catarov
MARY CONWAY is frustrated by the stylistic muddle that arises when you apply a pub theatre sensibility to a towering Greek tragedy
ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
ALEX HALL is frustrated by a book that ducks a clear definition of terrorism and fails to perceive the role of the state in sponsoring it
Syne of the Times
Royal Concert Hall
★★★
Delgres
Drygate Brewery
★★★★★
SCOTLAND always sees in the New Year in style and my own head was testament to that on January 1. But it didn’t feel like 2019 had truly begun until the opening of Celtic Connections, with the comforting knowledge that this wonderfully eclectic celebration of the traditional genre and its impact across the musical world will continue until the start of next month.
The world-famous festival opened with a taster session of its sheer breadth at Glasgow’s Royal Concert Hall. Kin and the Community, a film made by Uist musician Padruig Morrison, brought this year’s guiding theme — the handing down of tradition — to the fore.
With just a handful of musicians providing a live accompaniment, it was a little underwhelming as kick-offs go. True, the numbers gradually swelling on stage made for a nice effect but, patient as I am, I had to sympathise with the high-profile figure I saw slipping out after the first half.
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