JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
Alvin Ailey Dance Theatre, Sadler's Wells London
Dance at its most dynamic from the great black company
Rising to the occasion: Jacqueline Green in Lazarus
[Paul Kolnik]
NADIA JOSEPH welcomes a survey of the role that TV played in the debate over apartheid and race relations in Britain
New releases from Rosa Walton, Paul McCartney, and Aidan Thorne & Jason Ball
RON JACOBS welcomes a sharp, intelligent and witty exposé of the corruption and right-wing politics that have taken over international professional football
ALEX HALL welcomes the memoir of a prominent British academic of Ugandan/Zimbabwean heritage
JONATHAN TAYLOR reviews a collection of short stories wherein news - and the absence of news - changes lives
THE late African-American dancer, choreographer and activist Alvin Ailey has left a great legacy — the Alvin Ailey American Dance Theater (AAADT).
It has been honouring black culture through dance since he founded the company in 1958, a time when racism was rife and many black dancers were denied opportunities to perform.
The company returns to Sadler’s Wells with new works split into three distinct programmes on different nights.
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RON JACOBS welcomes a survey of US punk in the era of Reagan, and sees the necessity for some of the same today
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
CHRIS SEARLE speaks to saxophonist and retired NHS orthopaedic surgeon ART THEMEN