KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents

AT THIS time last year, there seemed a lot less on our arts horizon, but who knew it would be a time that delivered some memorable moments?
From a legendary folk singer, to a sculptor with a stunning legacy —Isamu Noguchi at the Barbican until 23 Jan 2022 — an artist to fall in love with, and a visceral new play, featuring an actress who burned up the stage, The Girl Who Was Very Good at Lying at the Omnibus Theatre.
A highlight (for me, as well as the Morning Star) was interviewing Peggy Seeger. Spending an hour or more with this passionate, principled, funny woman lit up my Zoom-world.
Her new album, First Farewell, came out in April, her 24th solo album in an unbroken 68-year career.

This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH

LYNNE WALSH previews the Bristol Radical History Conference this weekend





