MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
TRUMP’s victory and his subsequent far-right appointments which threaten to take the world’s most powerful country back to the Dark Ages are bad enough. The fact that he has majorities in both Senate and House to give him virtually unfettered power is unspeakable.
And these majorities are based on millions of voters actively choosing to believe conspiracy theories and outright lies, spread by mainstream media sources owned by right-wing billionaires and racist, misogynistic social media “influencers.”
Levellers, Chartists and Suffragettes fought for the vote and eventually won a glorious victory. But an essential prerequisite for universal suffrage to exist in any meaningful sense of the word is a balanced media owned by the people who create and consume it, distributing information free from contortions and lies — and a properly funded education system which equips people to make choices based on that information.
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
Warming up for his Durham gig, the bard pays attention to the niceties of language



