MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
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Afro-Celt fusion sounds scintillating
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
Afro Celt Sound System
Barbican, London
EVER since founding member Simon Emmerson's innovative idea in the early 1990s to fuse both traditional West African and Irish music with electronica, Afro Celt Sound System has proven to be an inimitable force.
Always a colourful affair on stage, the group's core of guitarist Emmerson, Guinean kora and balafon player N’Faly Kouyate and Dhol drummer Johnny Kalsi — formerly of Transglobal Underground — are joined by a host of others representing global cultures for this gig.
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