PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
Ready
Dancebase, Edinburgh
MATTHEW HAWKINS’ Ready is an intense, hour-long masterpiece of control and deep focus, with moments reminiscent of the “interrupted” world of Samuel Beckett. A solo performance, we witness Hawkins’ flowing movement, seemingly freeform but composed of a subtly repetitive patterns and gestures.
The journey begins and ends in the vague space of the theatre room, and in between takes us out into the more epic environment of wind-blown trees and the lowering presence of Edinburgh Castle.
MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



