ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
‘What did you do during the Palestinian genocide?’
Amid rolling hills at the End Of The Road, WILL STONE savours the cutting edge acts of indie, folk, art rock and electronica
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
End Of The Road Festival
Larmer Tree Gardens, Salisbury
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
Similar stories
WILL STONE relishes the subtle demonstations of political awareness that accompany two standout performers at Brighton’s Mutations festival
New releases from Why?, Johnny Blues Skies and Chris Cohen
WILL STONE immerses himself in the complete run-through of Orbital’s pioneering untitled first two albums
WILL STONE savours the gender-fluid experimentalism of introspective Swedish goth