GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
THROUGHOUT post-classical art, there’s a venerable tradition of male erotica hiding in plain sight.
Michelangelo’s David, Fabre’s Death of Abel and numerous scantily clad — if a little punctured — Saint Sebastians, to name but a few, indulged homosexual desire as much as they conveyed religious sentiment, and often more so.
For the most part, these works were only ever gazed upon by an elite, privileged few. But, as John Berger pointed out, mass-production democratised the image as much as the printing press did the written word.
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
LOUISA BULL traces how derecognition, outsourcing and digitalisation reshaped the industry, weakened collective bargaining and created today’s precarious media workforce
From sexual innuendo about Blackpool Rock to Bob Dylan’s ‘God-almighty world,’ the corporation’s classist moral custodianship of pop music has created a roll call of censored artists anyone would feel honoured to join, writes NICK MATTHEWS
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright



