CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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'A wound within nature itself'
MICHAL BONCZA reports on an extraordinary memorial to victims of the Utoya massacre in Norway
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
The official memorials at the sites where 69 people were massacred by right-wing extremist Anders Behring Breivik in Norway three years ago are to be created by Swedish artist Jonas Dahlberg next year.
He was recently selected from a short list which included British artist Jeremy Deller.
Central to the Dahlberg project is the extraordinary Memory Wound, a 3.5 metre wide fissure in the tip of the Sorbraten peninsula that overlooks the island of Utoya where the massacre took place.
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SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives