MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
THEATRE
GORDON PARSONS
A POWERFUL production of Eugene O’Neill’s epic family drama Long Day’s Journey into Night at Bristol Old Vic brought home the playwright’s description of a work written in “tears and blood.”
For once, the play did not focus primarily on the frustration of James Tyrone, with Jeremy Irons’s modulated performance conveying the guilt-ridden desperation of dealing with his damaged family. It allowed Lesley Manville’s Mary Tyrone, agonisingly escaping further into her drug-tortured dreams, to register the play’s dramatic tension.
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet


