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With reservations, RON JACOBS recommends a deep dive into the nature, history, and mindset of US intelligence
Unmoderated anger
WILL STONE is struck by the rage against austerity so eloquently expressed in the work of post-punk pioneers the Sleaford Mods
JOHN HAWKINS wrestles with the anti-humanist fantasies of techno-feudalist thinking
MICHAL BONCZA and MARIA DUARTE review 2000 Meters to Andriivka, Savages, The Legend of Ochi, and The Naked Gun
GORDON PARSONS advises you to get up to speed on obscure ancient ceremonies to grasp this interpretation of a late Shakespearean tragi-comedy
DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
STEVE JOHNSON speaks to DJ and singer/songwriter Mark Radcliffe
IS THERE a British band in today’s music industry that definitively reflects the consequences of austerity? Or one that is a direct reaction to 21st-century Toryism?
Makers of the documentary Sleaford Mods: Invisible Britain seem to think so.
The post-punk duo from Nottingham, vocalist Jason Williamson and laptopist Andrew Robert Lindsay Fearn, are as distinctive and unique as they come and, as the film’s footage shows, they’re a force of nature live.
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