MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Oil
Almeida Theatre
London N1
4/5
NO WONDER it took Ella Hickson over six years to write Oil.
Her exploration of Britain’s relationship with the black gold is so wide in scope that, in just under three hours, Hickson guides her audience from Cornwall in 1889 to a bleak, mid-21st-century dystopian Britain via Persia, Libya and beyond.
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