MARIA DUARTE picks the best and worst of a crowded year of films
London: 1968
Tate Britain, London
TUCKED away in a side room adjacent to the Tate Britain gallery where the paintings of the early 20th century anti-war artist Mark Gertler are displayed — always worth a viewing — is an interesting exhibition of artworks, political ephemera, manifestos and posters that take us back to 1968.
It's an eclectic mix, with a wall of sculptural pieces including artworks from the 1969 ICA exhibition When Attitudes Become Form.
From hunting rare pamphlets at book sales to online panels and courses on trade unionism and class politics, the MML continues connecting archive treasures with the movements fighting for a better world, writes director MEIRIAN JUMP
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
LOUISE BOURDUA introduces the emotional and narrative religious art of 14th-century Siena that broke with Byzantine formalism and laid the foundations for the Renaissance



