JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
The twin roots of our discontent
ALEX HALL welcomes an accessible examination of the two strands of pro-capitalist thought which have defined the post-war economic policies of the West
The Star's critic MARIA DUARTE reviews Last Breath, Sister Midnight, Opus, and The Electric State
HENRY BELL is moved by the account of scientists under seige in Leningrad who preferred to starve rather than sacrifice their life-saving work
RUTH AYLETT recommends two anthologies: one that bears witness to refugee and immigrant experiences, and the other to our political relationship to water
SETH SANDRONSKY appreciates a fresh take on a 100-year-old novel that helps to contextualise the current moment of conspicuous wealth, waste and climate chaos
A no-nonsense ex-Garda female cop, Scandi-noir’s newest flawed hero, the lure of Aussie gold, and unexpected decency in Silicon valley
JAN WOOLF doubts that soft-core musical is the best way to transmit an important story of heroism and resistance
Hayek vs Keynes: A Battle of Ideas
Hoerber Thomas, Reaktion Books, £10.99
NEITHER John Maynard Keynes nor Friedrich von Hayek wanted to see the devastation of the Great Depression or the second world war again. Both understood how economics and politics could tear societies apart.
Both wanted societies which would encourage harmony and efficiency. But they came up with very different solutions, Keynes focusing on the role of government in creating the right environment for markets and controlling their worst excesses, and Hayek on the role of maximising individual freedom and free markets.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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