AQEL TAQAZ looks warily at the implications of Western states’ proposed recognition of the Palestinian state
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’Trane lives on
PCS members face dangerous working conditions in crumbling buildings while the Common Platform IT system obstructs rather than streamlines operations — and Labour’s promised wave of insourcing has not materialised, writes SHARON McLEAN
LAURA PIDCOCK and PAUL O’CONNELL introduces Rise, a political platform for working-class activism
From anonymous surveys claiming Chinese students are spying on each other to a meltdown about the size of China’s London embassy, the evidence is everywhere that Britain is embracing full spectrum Sinophobia as the war clouds gather, writes CARLOS MARTINEZ
Morning Star editor Ben Chacko speaks to JON FARLEY – the retired headteacher whose arrest in Leeds exposes the grim absurdity of the Palestine Action ban
As apple trees blossom to excess it remains to be seen if an abundance of fruit will follow. MAT COWARD has a few tips to see you through a nervy time
Paul Dunmall Quartet
Underground Underground
(Slam)
IN the brief sleeve notes to south Londoner Paul Dunmall’s Quartet recording Underground Underground, the saxophonist, born in 1953, describes how the foursome was originally formed to create a tribute to John Coltrane’s momentous Sun Ship album of 1965, as a commemoration of the 50th anniversary of the great hornman’s death.
Rather than reprise the tracks from Sun Ship, Dunmall decided “to write some heads in the same vein as Sun Ship, so we could still capture that intensity and play with that Coltrane spirit but make it our own thing.”
More from this author
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
