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Echoes of Robeson with creative fire
Chris Searle on Jazz
Eric Reed 15/1/18

Eric Reed
Groovewise 
(Smoke)

IN MAY 1952 and again in August 1958, the great singer, actor and cultural militant Paul Robeson, having been denied a passport by his own US government and confined within the boundaries of the world’s most powerful imperial nation, gave historic concerts on the back of a flat-bed truck in Blaine, Washington state, under the Peace Arch, a few feet from the Canadian border. 

He sang across the US/British Columbia frontier which he was forbidden to cross, to 40,000 US and Canadian citizens in a unique and defiant performance of international solidarity.

I thought of these momentous events and Robeson singing Joe Hill, No More Auction Block or Ol’ Man River as I listened to the first very evocative track, Powerful Paul Robeson on the live album by the Philadelphia-born (in 1970) pianist Eric Reed and his quartet, recorded at New York’s Smoke Jazz Club in 2014, and called Groovewise.

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