Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Hellishly good
SIMON PARSONS sees a brilliant musical reworking of Greek myth at the National Theatre which chimes with the Trump era
PICCAP Oratory of the oppressed: Hadestown Pic: Helen Maybanks
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Hadestown
National Theatre, London
TWELVE years in the shaping, Anais Mitchell’s musical, drawing on jazz, blues, soul and folk, proves remarkably prescient and her collaboration with director Rachel Chavkin has produced a stunning piece of theatre.
More from this author
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
SIMON PARSONS applauds a tense and thoughtful production that regularly challenges our political engagement and prejudices
SIMON PARSONS questions whether a dark take on Shakespeare’s Seasonal comedy is in harmony with the original text
