Skip to main content
The Political History of Smack and Crack, Bristol Old Vic/Touring
Telling reportage on the 1980s drugs havoc in inner-city Britain
DYSFUNCTIONAL: Eve Steele and William Fox as Mandy and Neil [The Other Richard]

INSIGHTFUL and stirring, this award-winning 70-minute exposé of the rise in drug abuse at the time of  the 1981 inner-city riots is another exciting production at Bristol Old Vic’s Studio space.

Eve Steele and William Fox play Mandy and Neil, both from dysfunctional Mancunian families, who live through the riots in Moss Side repeated that year in many English cities suffering from social deprivation.

According to writer Ed Edwards, before 1981 there were only 3,000 known drug addicts in England, invariably middle-class users, and heroin was largely unknown on the streets. But four years later, 333,000 mainly working-class addicts were registered as heroin freely flowed through the inner cities.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
slammer
Theatre Review / 28 October 2025
28 October 2025

GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways

SACRED SHROUDS: Thatcher’s old dresses on display at this year’s limp Tory conference, Manchester, October 5
Eyes Left / 15 October 2025
15 October 2025

The Tory conference was a pseudo-sacred affair, with devotees paying homage in front of Thatcher’s old shrouds — and your reporter, initially barred, only need mention he’d once met her to gain access. But would she consider what was on offer a worthy legacy, asks ANDREW MURRAY

IMPASSIONED: Phoebe Thomas and Matt Whitchurch / Pic: Ellie Kurttz
Theatre review / 25 May 2025
25 May 2025

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

CLASS AND SEXUALITY: Sesley Hope and Synnove Karlsen in Laura Lomas’s The House Party / Pic: Ikin Yum
Theatre Review / 24 April 2025
24 April 2025

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic