The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Education for Social Change
Engrossing account of the Woodcraft Folk sheds light on its occasionally flawed idealism
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
WITH some of its groups across Britain currently meeting via Zoom, nobody can accuse the Woodcraft Folk of failing to move with the times.
But scratch the surface and you will always find hallmarks of its history, exemplified by the chorus of the Folk’s anthem, which begins: “Hark! The beating of the tom-tom.”
In its early years, much of the Folk’s practice was inspired by an idealised — and yet somewhat twisted — understanding of American-Indian culture. In reaction to the apparent alienation of Western civilisation from the natural world, the pioneers of “woodcraft” thinking — well before the Folk itself was established — sought to emulate the American-Indian connection to the land.
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