Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Transgender diva
WILL STONE marvels at the vocal range and vulnerabilty of a remarkable virtuoso
anohni
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Anohni And The Johnsons
Barbican, London
ANOHNI is finally back following the release of last year’s acclaimed My Back Was A Bridge For You To Cross, marking her first album and live tour in eight years.
The album, which features the deceased LGBTQ rights activist Marsha P Johnson on the cover, is a soul-inspired classic in the school of Marvin Gaye — dealing with oppression and loss in a way reminiscent of Nina Simone — following the eco-electronic sucker punch of 2016’s Hopelessness.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
