RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Albums reviews with Tony Burke: July 8, 2024
Muddy Waters, Having a rave up! and Edgar Broughton Band
TB albums web.
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Muddy Waters
Hard Again/ I'm Ready/ King Bee
(Floating World)
★★★★
MUDDY WATERS made his recording debut for Len and Phil Chess’ Aristocrat Records (later Chess) in 1947 becoming the world’s best known blues artist. But in 1975, when All Platinum Records bought Chess, they announced they only would release Chess’s back catalogue. Muddy became redundant as a recording artist.
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