Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Why the Red Army stopped outside Warsaw
WILL PODMORE welcomes, with reservations, a new history of Operation Bagration and the Red Army’s defeat of Nazi Germany
red army
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Endgame 1944: How Stalin Won the War
Jonathan Dimbleby
Viking, £25
IN this history of 1944’s battles on the Eastern Front, author and broadcaster Jonathan Dimbleby draws on the diaries, letters and reminiscences of soldiers on both sides, from generals to foot soldiers. His account rightly emphasises the decisive role the Red Army played in winning the second world war.
As Dimbleby asserts, Operation Bagration, fought from June 22 to August 19, was “the greatest single battlefield victory of the second world war. In operational scale and strategic significance … [it] was of more moment even than Operation Overlord, the overlapping Allied campaign in Normandy that began with the cross-Channel invasion on 6 June 1944.”
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
