Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Film round-up: August 15, 2024
Inside Afghanistan, Chinese crime thriller, entertaining pants and Alien deja vu: the Star's critic MARIA DUARTE reviews Hollywoodgate, Only The River Flows, Jackpot! and Alien Romulus
round up
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Hollywoodgate (12A)
Directed by Ibrahim Nash’at
★★★★
“WHY is he filming? asks a member of the Taliban. “He is making a documentary… Documenting our everyday lives both civilian and military for a year. If his intentions are bad he will die soon.” Chilling words from a Taliban commander about Egyptian film-maker Ibrahim Nash’at.
The Taliban agreed to let him film Mawlawi Mansour, the new head of Afghanistan’s air force whose father was killed by US forces, and MJ Mukhtar, a former Taliban fighter now with dreams of an illustrious military career, from the moment US troops left Kabul and Taliban forces took the city on August 31 2021.
He captures Mansour and his team entering Hollywood Gate, a secret CIA base, and checking what the US left behind.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
