JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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Film round-up: October 24, 2024
Colonial plunder goes home, chilly euthanasia, transsexual drug baron and venom’s end: The Star's critic MARIA DUARTE reviews Dahomey, The Room Next Door, Emilia Perez and Venom: The Last Dance
Mati Diop's Dahomey
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
Dahomey (PG)
Directed by Mati Diop
★★★
WINNER of the coveted Golden Bear award at this year’s Berlinale, Dahomey is an immersive and haunting work from co-writer director Mati Diop which explores the effects of colonisation, appropriation, self-determination and restitution.
It follows the return in November 2021 of 26 royal treasures from the Kingdom of Dahomey by the French government. They were among thousands of others plundered by French colonial troops in 1892.
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