Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Miscarriage of justice - the musical!
ANDY HEDGECOCK previews a new musical about the Post Office Horizon scandal that employs different community choirs as it tours
make good
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
A COLLABORATION between Pentabus and New Perspectives, two rural-touring theatre companies currently celebrating their 50th anniversaries, Make Good is a musical that illuminates a notorious corporate injustice.
The Post Office’s wrongful prosecution of 900 subpostmasters, based on flawed data from Fujitsu’s Horizon system, entered public consciousness through the award-winning TV series, Mr Bates vs The Post Office.
Make Good — in development long before the screening of the ITV drama in January — isn’t just a reworking of the same narrative with a few songs thrown in. There’s a comparable concern with the damage done to individuals, families and communities, but the similarity ends there.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
