STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Edifying entertainment
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
INNOVATION: High energy duets that are mixed with chorus lines of comic performance in Pam Tanowitz's Or Forevermore
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Encounters: Four Contemporary Ballets
Royal Opera House
THESE four innovative contemporary ballets explore the human condition, in very different ways, through movement.
Choreographer Kyle Abraham, who founded AIM – a dance company with a mission to create work about black and queer history and culture – introduces the quartet of dances with The Weathering.
First staged in 2022, eleven dancers capture the joys and sorrows of love and loss to composer Ryan Lott’s moving score and Dan Scully’s golden-washed lighting, with paper lanterns dotting the stage.
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