GORDON PARSONS enjoys the wealth of wisdom and the clarity of expression from a dialogue between Chomsky and Mujica
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Inky slick and the mermaid
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
FRIEND OR ANEMONE? Liana Cottrill as The Little Mermaid
[Johan Persson]
GUILLERMO THOMAS enjoys a survey of the current state of the CIA (aka Langley) from an expert and insider of sorts
MARIA DUARTE, FIONA O CONNOR and JOHN GREEN review The Choral, Belen, Dragonfly, and Colossal Wreck
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
RITA DI SANTO points out the social experience of exploitation and oppression that inform the popular winners at this year’s festival
PETER MASON is tickled by a new book and exhibition that mine the rotten anachronism of the monarchy for laughs
A Nazi zeppelin whodunnit, death amidst detoxification, a twistaholic’s delight, and noir fiction for criminals
The Little Mermaid
Bristol Old Vic
BRISTOL have come up trumps with this year’s festive offering, a simplified but gloriously colourful and dynamic ecological version of Hans Christian Andersen’s much loved fairy tale.
The titular character, the only remaining mermaid in an ocean devasted by oil production, sacrifices her subaquatic existence in a desperate attempt to pursue the human who promises some hope for restoring the coral and revitalising sea life.
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SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence