EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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Santrofi: back to the future
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
FOR many new bands, Covid had a devastating effect, particularly for those promoting new releases. None more so than young bands such as Santrofi from Ghana, who play a mix of West African Highlife, Afrobeat and music from the scorching streets of Accra.
Their debut set Alewa on Outhere Records was released in April 2020. Taking a do-it-yourself approach, the band composed, arranged, produced and recorded in Ghana — getting rave reviews in the music media.
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