NICK MATTHEWS welcomes the return of Samuel Coleridge-Taylor’s music to the repertoire of this years’ Three Choirs Festival
A woman’s refusal to be victimised
The Star's critic MARIA DUARTE recommends a profound and moving political drama about the families of those ‘disappeared’ by the Brazilian dictatorship
RESISTANCE: Fernanda Torres as Eunice Paiva IN Marcelo Rubens I'm Still Here
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LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro
MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
I’m Still Here (15)
Directed by Walter Salles
THE story of Brazil’s “desaparecidos,” those taken by the military dictatorship, is seen through the eyes of those left behind and in particular a bourgeois wife and mother of five in Walter Salles quietly profound and moving Oscar-nominated drama based on real events.
It is driven by a remarkable and tour-de-force performance by renowned Brazilian actress Fernanda Torres as Eunice Paiva whose life was shattered when her husband Rubens (Selton Mello), a dissident and former congressman, was snatched from his home in 1971.
Seven years in the making, it is based on Marcelo Rubens Paiva’s 2015 memoir and it is a very personal film as Salles knew the Paiva family and was friends with the children when he was 13.
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