RUTH AYLETT recommends two anthologies: one that bears witness to refugee and immigrant experiences, and the other to our political relationship to water
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An error occurred while searching, try again later.Understanding white fascism in the US
RON JACOBS recommends a new collection of essays that examine the presence of fascism in the US and the struggle against it
SETH SANDRONSKY appreciates a fresh take on a 100-year-old novel that helps to contextualise the current moment of conspicuous wealth, waste and climate chaos
A no-nonsense ex-Garda female cop, Scandi-noir’s newest flawed hero, the lure of Aussie gold, and unexpected decency in Silicon valley
JAN WOOLF doubts that soft-core musical is the best way to transmit an important story of heroism and resistance
Reviews of Ella Fitzgerald, My Morning Jacket, and Toria Wooff
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
When Cassy’s father fails to connect with his daughter — and misses out on
an evening in the Bitter End — a stranger’s self-mocking charm brings seething resentment.
Three Way Fight: Revolutionary Politics and Antifascism
XTN Alexander and Matthew N Lyons, PM Press, £22.99
DONALD TRUMP is certainly the figure around which fascists in the United States have flocked to more than any other politician, but the movement does not need him as much as he needs the movement.
Fascists and fascist sympathisers have become more brazen in the years since Trump was elected in 2016. The last time such extremely racist and misogynist arguments were heard on such a large stage was in the late 1960s and early ’70s when George Wallace ran for president.
Today, we live in a world where the president of the US has surrounded himself with men and women who not only repeat Wallace’s bigoted politics but use his power to enforce them.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes