ANDREW MURRAY surveys a quaking continent whose leaders have no idea how to respond to an openly contemptuous United States
The transnational fight for African freedom
In the final part of a series taken from his new book, African Uhuru, ROGER McKENZIE discusses the work of black rights titans George Padmore and Marcus Garvey, plus the significance of the Non-Aligned Movement’s creation in 1955
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GEORGE PADMORE played a central role in developing and building transnational African liberation communities of resistance.
Born Malcolm Nurse in Trinidad in June 1903, he changed his name, as did many (particularly communist) activists of the time, as cover from identification while involved in clandestine activities.
As a university activist student in the United States in the 1920s, Padmore joined the Communist Party and quickly rose in its ranks.
Padmore became one of the leading African activists within the Communist International — known as the Comintern.
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ROGER McKENZIE looks back 60 years to the assassination of Malcolm X, whose message that black people have worth resonated so strongly with him growing up in Walsall in the 1980s
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ROGER McKENZIE welcomes an important contribution to the history of Africa, telling the story in its own right rather than in relation to Europeans
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As African and Asian activists pushed back against racism in workplaces and politics in the ’70s and ’80s, eventually trade unions and political parties reluctantly opened their doors to self-organised groups, writes ROGER McKENZIE
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In the second in a four-part serialisation of his new book, African Uhuru, ROGER McKENZIE outlines the organised resistance to a surge of racism against black workers in law and in the unions as they returned from the war
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ROGER McKENZIE discusses the different Marxist traditions of thought about race and racism in the first in a four-part serialisation of his new book, African Uhuru
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In his latest book on the fight for African freedom in light of the now rapid rise of the global South, Roger McKenzie addresses several distinct but complementary audiences, writes NICK WRIGHT