IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Towards a two-state solution
MARJORIE MAYO recommends a succinct and exceptionally lucid account of the underlying causes of the war in Gaza
Israel
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
What does Israel Fear from Palestine?
By Raja Shehadeh, Profile Books
RAJA SHEHADEH is a leading human rights lawyer as well as being a writer of great sensitivity, humanity and depth. His accounts of life under the occupation bring the reality of Palestinian experiences to international audiences, linking the personal with the political dimensions of the struggle.
Unsurprisingly then, his latest book, What does Israel Fear from Palestine? provides an exceptionally lucid account of the underlying causes of the war in Gaza, accompanied, as this has been, by escalating violence in the Occupied Palestinian Territories (OPT) on the West Bank. This sets the context for the consideration of what needs to change if there is to be some possibility of hope for the future.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
