ANDREW MURRAY is compelled by the moment of revolution in British history when Parliament had political intimacy with society
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MARJORIE MAYO recommends a succinct and exceptionally lucid account of the underlying causes of the war in Gaza
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
GAVIN O’TOOLE welcomes a masterful study of gang behaviour in the favelas of Sao Paulo
Helen Colley introduces this year’s ScreenCuba film festival with an exclusive offer to Morning Star readers
DENNIS BROE appreciates the work of TV writer Steven Knight, and his systematic exposure of the debilitating effects of British capitalism
A pamphlet by British Latinx poet Patrick Romero McCafferty, poetry by Anglo-Argentinian Miguel Cullen, and a book of conjuring poems by Mexican Pedro Serrano
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
What does Israel Fear from Palestine?
By Raja Shehadeh, Profile Books
RAJA SHEHADEH is a leading human rights lawyer as well as being a writer of great sensitivity, humanity and depth. His accounts of life under the occupation bring the reality of Palestinian experiences to international audiences, linking the personal with the political dimensions of the struggle.
Unsurprisingly then, his latest book, What does Israel Fear from Palestine? provides an exceptionally lucid account of the underlying causes of the war in Gaza, accompanied, as this has been, by escalating violence in the Occupied Palestinian Territories (OPT) on the West Bank. This sets the context for the consideration of what needs to change if there is to be some possibility of hope for the future.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes