The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
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Thrillers: Christmas fluff vs Polish noir
JONAH RASKIN compares the tepid fare of the Netflix series Black Doves with a gritty Polish alternative
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
CRIME series all boast violence, and, while some of the violence is abhorrent and gratuitous, some of it is framed as necessary and justified.
In the Netflix thriller, Black Doves, the good hitmen and the good hitwomen mostly only kill when it can’t be avoided and when they have to kill to save their own skins.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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by Rick Dove
Among upcoming TV series available globally, DENNIS BROE picks out the good, the bad and the interesting