GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Wise Children
The Old Vic, London
ANGELA CARTER’S last novel Wise Children, a blend of magic realism and carnivalesque, sprawls across much of the 20th century as it follows the bizarre theatrical family fortunes of the Chance twins from the perspective of their 75th birthday.
Unacknowledged by their father, a renowned Shakespearean actor-manager, the twin girls are brought up on the wrong side of the tracks in a Brixton theatrical boarding house run by Grandma Chance.
Forced to make their own way, they become chorus girls before weaving a successful career through the latter years of music hall and variety theatre as a song-and-dance duo.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity



