STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Telling the truth about Orgreave
ANGUS REID speaks to Daniel Gordon about his new film Strike - an uncivil war
WORKING CLASS POINT OF VIEW: (L) Filmmaker Daniel Gordon; (R) A still from the VHS camera of a miner as the mounted police charge through Orgreave village, June 18 1984
[Courtesy of Tull Stories]
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
TO make a film about the events of June 18 1984 at Orgreave coking works has occupied film-maker Daniel Gordon for a decade.
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