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Soviet/fascist orchestral face-off
SIMON DUFF is thrilled by the provocative pairing of two major works from a time of profound ideological opposition
RICHARD CLARKE recommends a hugely valuable text for those seeking theoretical analysis and practical action to defend public services
JOHN HAWKINS is moved by an oral history that examines five black families pushed into homelessness in the US
BOB NEWLAND recommends an outstanding study of how images have shaped narratives of identity, resistance and power in South Africa
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent
The Star's critics review The Sinking Of The Lisbon Maru, Two Strangers Trying Not To Kill Each Other, American Dreamer, When Autumn Falls, and Flow
Dmitri Shostakovich, Symphony No 3 / Carl Orff, Carmina Burana
The Barbican, London
A HEADY mix of Dmitri Shostakovich and Carl Orff made for a night of power and drama, exploring extremes of melody nature and history, provided by the London Symphony Orchestra and guests at London’s Barbican.
Orff’s Carmina Burana and Shostakovich’s Symphony No 3 are two major orchestral choral works written within six years of each other, both at times of unprecedented social and political upheaval.
More from this author
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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BEN LUNN highly recommends a cantata that encapsulates the Palestinian peoples' profound desire for peace
Concert of the Year? No doubt, Pat Metheny at the Barbican in late November...
The sonic possibilities of the violin are tested to their limits in new works, reports SIMON DUFF
New releases from The The, Memo Comma and Anna Gourari/Orchestra della Svizzera italiana