MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature
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Prague wrestles with public pride in historic socialism
The problem with the National Museum’s exhibition on the communist-governed era is that the public liked it and the values it represented too much — looking at the beggars under the bridge outside, who can blame them, writes JOHN CALLOW
Reliefs cast into 1950s gates show a socialist selection of Czech history
ANDREW MURRAY recommends a volume of essays that nail the visionless, racist and neoliberal character of policy under Starmer’s Labour Party
JONATHAN TAYLOR appreciates how, for a black British musician, to walk onstage can be a rebellious act
Since 2023, Strike Map has evolved from digital mapping at a national level to organising ‘mega pickets’ — we believe that mass solidarity with localised disputes prepares the ground for future national action, writes HENRY FOWLER
Like dictators of the past, Trump is seeking an enforcement agency answering only to him, asserts CJ ATKINS
From tens of thousands left abandoned to a militarised ‘looting’ crackdown, Hurricane Katrina laid bare racial inequities and government neglect, writes NATALIA MARQUES
WHEN is a museum not a museum? This is the question that the Czech National Museum poses in its new exhibition, Collections & Politics, exploring the themes and narratives that underpinned the presentation of the past under socialism.
After November 1989, those museums dedicated to the working-class movement and its leaders were closed, while the surviving institutions were overhauled and reconfigured in light of the seismic political, economic, and cultural shift to neoliberalism.
As a consequence, much was lost — destroyed, despised, or sold off to collectors — and what was left of the socialist past was shuttered away in basements and storage units, out of sight, and only brought to mind through “ironic” expositions that thoroughly de-contextualised and frequently mocked the artefacts.
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