New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
The nugget that won’t go away
MATTHEW HAWKINS speaks to dance-artist and community catalyser Christine Devaney about past and new projects
JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
ANA ISABEL NUNES points to the empowering legacy of Augusto Boal’s Theatre Of The Oppressed
CARLOS MARTINEZ welcomes the publication of the writings of the great Palestinian author, political theorist and spokesman for the PFLP
The Star's critic MARIA DUARTE review Cottontail, Memoir of a Snail, Bridget Jones: Mad About the Boy, and Captain America: Brave New World
PAUL DONOVAN is fascinated by an account of the long history of Catholic Church’s involvement in espionage
ROGER McKENZIE welcomes an important contribution to the history of Africa, telling the story in its own right rather than in relation to Europeans
WHEN the Glasgow-born dance artist Christine Devaney eventually set herself up as a dance-theatre maker – founding her company Curious Seed in Edinburgh in 2005 – choreographic signature was not her exclusive aim.
Instead, Curious Seed’s methods have involved the gathering of several trusted peers with specialist skills and multi-media interests, to embark on experimentation, in the ethos of “nobody knows.” Christine then finds (in solitude) that some arising nugget of an idea “won’t go away”. A Curious Seed work is then catalysed when she describes said nugget.
I put it to her that her team will have been ductile in anticipation of her intuition. This she amusedly accepts.
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