CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
Latest editorial
Novel take on Britain in the 1950s flatters to deceive
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
The Well Deceived
by Isaac Kuhnberg
(Clink Street Publishing, £9.99)
READING this novel is a little like singlehandedly putting a cover over a double duvet — a real struggle.
The pseudonymous author attempts to create a world marginally out of register with that of Britain in the 1950s and the reader is trapped for a time in a parlour game of working out what geographically is what, with Alba being Scotland-ish and Anglia England-ish.
Similar stories
RICHARD SHILLCOCK examines an enjoyable, but philosophically conventional book, and urges Marxists to employ their capacity to embrace the totality in any explanation
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint