GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Not for the likes of us? Oh yes, they are
LYNNE WALSH takes issue with the idea that the arts aren't for 'ordinary people'
A dress rehearsal of Opera North's Madama Butterfly
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
“RUGBY union is a middle-class sport,” a leftie friend told me recently. I should prefer football, he insisted, which is “working-class opera.”
Now, apart from repudiating his daft claim — as a rugby fan, I’m an old Arms Park groundling, rather than a Twickers toff — he got me thinking. Why isn’t opera “working class”?
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LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East
Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports
This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH
LYNNE WALSH previews the Bristol Radical History Conference this weekend
