The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
Latest editorial
Navigating 21st century dating without moralising
SIMON PARSONS enjoys a seemingly mismatched drama with likeable personalities and amusing dialogue
Jke and Anna
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Banging Denmark
Finborough Theatre
RECEIVING its European premiere, Van Badham’s play is a sparkling rom com that dissects some of the controversial, contemporary issues with dating.
Tom Kay plays the successful, misogynist podcaster and self-help, pick-up artist, Jake Newhouse, aka Guy Dewitt. His uncompromising sexist broadcasts to needy males going by such absurd pseudonyms as Hammerhead and Mr Tearsdry might sound as if they are out of an Andrew Tate playbook if they were not so comically ridiculous.
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